Some of the material surrounding Silicon Psychosis was not lost, but simply remained outside the story I was telling about the work.
Returning to old recordings, files, images and documents has brought some of it back into view.
In some cases this changes what I thought I knew. In others it raises new questions.
The recovered material is therefore treated as evidence to be examined rather than as a ready-made explanation of the past.
Contemporaneous posts may provide a window into the creative and emotional context surrounding the music. They may also help establish when particular ideas, titles or interpretations first appeared.
The eventual data export may contain earlier conversations about Silicon Psychosis, the 23-day account, track titles, Asydo Lemem, Unfold The Void, 4:32, transmission ideas and changing interpretations. These records can be compared against later memory.
Original DAW sessions, rendered files, backups and file-system dates may provide stronger evidence for creation chronology than public upload dates alone.
Public release and upload records provide an external trail for when material became available. They are useful chronological anchors, but do not automatically establish when a recording was created.
Later recollection remains part of the archive, especially where no contemporaneous record survives. It is labelled as memory rather than silently promoted to fact.