SIGIL
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DIRECT LISTENING // BANDCAMP
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OBJECT RECORD
HISTORICAL TRANSMISSION DESCRIPTION
This description is preserved as a historical document of how the recording was understood. It is not presented as a scientific claim.
LATER READING
Arachnoid God Destroyer is framed as externalisation of fear or negative energy. Its placement after hive-mind material supports a retrospective movement from collective cognition into confrontation.
MAKING HISTORY
The artist recalls beginning Arachnoid God Destroyer on 7 September 2012 and working on it for approximately two days.
SOURCE // ARTIST RECOLLECTIONUNRESOLVED
When was the recording actually created? When was its title chosen? When was the transmission description written? Did its position in the final sequence reflect an original intention or a later recognition?